Friday, October 13, 2023
TEN MOVIES THAT MADE AN IMPACT ON ME: SOCIAL MEDIA CHALLENGE REVISITED: DAY 4 - "HIGHLANDER" (1985)
Thursday, October 12, 2023
TEN MOVIES THAT MADE AN IMPACT ON ME: SOCIAL MEDIA CHALLENGE REVISITED: DAY 3 - "THE LAST OF THE MOHICANS" (1992)
[Back in 2018, there was a social media challenge on Facebook in which a person posted a picture a day for 10 days of 10 films that made an impact on them. However, I went a step beyond and posted an explanation as to why they made that impact. For the sake of posterity, they're being reposted here in their entirety (with some modification where warranted)]:
Day 3 of 10 movies that had an impact on me. 10 films that inspired you, 10 days, one image. I was nominated for this challenge by Andrew Baldwin. Have fun doing your own.
Fuck “Titanic”! THIS is the seminal cinematic historical romantic fiction of the ‘90s (fight me!). Michael Mann took a plodding, near-interminable novel and turned it into one of the most visually arresting, dynamically riveting, emotionally resonant adaptations ever put to screen. Daniel Day-Lewis surprised all and sundry in his turn as Nathaniel (the original “Hawkeye”), proving that the then-darling of the burgeoning indie scene could easily slip into the shoes of a heroic, romantic lead. Madeline Stowe’s “Cora” was, like the heroine mentioned in yesterday’s choice, not a wilting wallflower waiting to be rescued, but a woman of strength and fortitude equal to that Nathaniel’s. Most especially, Wes Studi’s chilling performance as “Magua” put him among the pantheon of the greatest of screen villains.
The cinematography, which included the incredible vistas of the Blue Ridge Mountains, is nothing short of breathtaking, matched by one of the most powerful, arresting, and as-close-to-spiritual-as-you-can-get scores ever recorded for film by the combined talents of Trevor Jones and Randy Edelman (with assist by Daniel Lanois). Trust me...I could go on for DAYS about this score (and it counts among my top five).
It’s high adventure, soulful romance (especially epitomized in the chaste but doomed love between Alice Munro [Jodhi May] and Eric Schweig [Uncas]), and powerful performances that stay with you yet demand re-watching. I know I'm "breaking the rules" by posting two (three?) images, but both relationships depicted not only epitomize the entire film in their respective shots, they also anchor the film, in my opinion, in equal measure.
Wednesday, October 11, 2023
TEN MOVIES THAT MADE AN IMPACT ON ME: SOCIAL MEDIA CHALLENGE REVISITED: DAY 2 - "STAR WARS" (1977)
[Back in 2018, there was a social media challenge on
Facebook in which a person posted a picture a day for 10 days of 10 films that
made an impact on them. However, I went a step beyond and posted an explanation
as to why they made that impact. For the sake of posterity, they're being
reposted here in their entirety (with some modification where warranted)]:
Day 2 of 10 movies that had an impact on me. 10 films that inspired you, 10 days, one image. I was nominated for this challenge by Andrew Baldwin. I won't be challenging anyone to share but if these posts inspire you to do so, by all means...go to, go to.
This film is seminal to GenX and the generations that followed. Most adore it, some are "meh" about it, few cannot stand it. Yet George Lucas' long shot, little-film-that-could became a juggernaut for a nation feeling the weight of historical/cultural strife and cynicism; providing an antidote that was both throwback to a simpler time and a timely reminder of (there's that word again) hope. It was one of those forever films, and that's not hyperbole folks. In fact, this film in a sense paved the way for yesterday's choice, even though "Superman: The Movie" (1978) lagged in pre-production hell for a couple of years before this film debuted. With its themes of plain "good versus evil", it was dismissed by the critics at the time as Saturday morning kiddie-fare (harsh, but understandable given that its inspiration was steeped in the serials of the thirties and forties). Debatable as to whether or not it was intentional, further scrutiny showed that it is replete with mythological themes and constructs, wholly recognizable to the collective Jungian unconscious (even noted mythology scholar/expert Joseph Campbell gave it his seal of approval).
For some, "Star Wars" is Han Solo (Harrison Ford), the mercenary shoot-'em-first cynic who undergoes a character arc to come (or return) to the hero that lies beneath the cool exterior. For others, it's Princess Leia Organa (the late Carrie Fisher), an ahead-of-her-time (or perhaps, of-her-time) heroine of equal measure who was anything but a damsel in distress. Many others view it as Obi-Wan Kenobi (the late Sir Alec Guiness) and Darth Vader (James Earl Jones/David Prowse/Bob Anderson)...both father figures of a previous generation locked in battle, both figuratively and literally passing their sins and conflict onto the next generation.
But the image [above] is "Star Wars"' core essence; a bildungsroman for a young farmer named Luke Skywalker (Mark Hamill), who epitomizes 70's (or any other time's) youth. Dissatisfied with society and "the way things are", locked into place by family responsibility and circumstance, looking wistfully off into the distance for adventure and excitement (things he would be admonished later for craving), accompanied by John Williams' (there's that other word again) iconic theme, seeing the twin suns, one shining brighter than the other, not realizing that they (would come to) symbolize the choice as to which path he would take; a mirrored opportunity to rectify the error of his (then unknown) progenitor.
In my opinion, this image represents every child's...every person's...hope for a life full of adventure and fulfillment. While the events of the latest film in the series would mar it's finish, the image here is still serves as powerful a testament of the desire to truly live as any put to film.
Thursday, October 5, 2023
TEN MOVIES THAT MADE AN IMPACT ON ME: SOCIAL MEDIA CHALLENGE REVISITED: DAY 1 - "SUPERMAN: THE MOVIE" (1978)
[Back in
2018, there was a social media challenge on Facebook in which a person posted a
picture a day for 10 days of 10 films that made an impact on them. However, I
went a step beyond and posted an explanation as to why they made that impact.
For the sake of posterity, they're being reposted here in their entirety].
I usually don’t take up social media challenges, but this one is fun and plays into my side role as critic, so why not?
Day 1 of 10 movies that had an impact on me. 10 films that inspired you, 10 days, one image. I was nominated by this challenge by Andrew Baldwin.
For anyone who really knows me or frequents this page, #1 should come as no surprise. For a nine-year-old kid who was still optimistic enough to believe in fantasy and heroes, this film lived up to its tagline “you’ll believe a man can fly”. A film celebrating its 40th anniversary this year, it’s quixotically dated yet timeless.
It seemed that destiny wanted to ensure that all the pieces fell into place: Noted Bond franchise director Guy Hamilton was on tap to direct when his tax exile status in England precluded him from doing so, leading the Salkinds to reach out to last minute replacement Richard Donner, fresh from “The Omen”, who lived up to his credo of “verisimilitude”. Jerry Goldsmith had been first choice for score (so much so that the teaser trailer featured his music from the film “Capricorn One”), but his schedule wouldn’t allow for it. However, he did recommend his buddy John Williams, who created one of the most rousing musical scores ever produced for film. The cast, from Marlon Brando, Gene Hackman, and Terrance Stamp, to Margot Kidder, Jackie Cooper, Ned Beatty, Valerie Perrine, and a slew of others were, to varying degrees, believable in their roles. Ground breaking (for the time) special effects gave the illusion of reality within the fantasy.
But were it not for the person pictured here, this film would not have worked. Rarely does an actor give such a pitch-perfect performance; more so when the role he or she plays is based on a preexisting entity. Yet Christopher Reeve’s portrayal became as iconic as the part he took on and is still the standard by which all others are judged. This picture captures all that. The hope and determination of the character evidenced just in the eyes alone. The pose a study of soaring power and resoluteness. You can practically hear John Williams’ equally-iconic theme in the background. In this case, the weight upon Reeve’s shoulders to carry the day where Herculean, yet he did it as effortlessly as the Man of Steel himself.
For some, it’s a near-perfect mythological three-in-one film (science fiction, Americana coming of age bildungsroman, superhero adventure); for others, an un-ironic quaint fairy tale peppered with a smidgen of cheese. However, for a nine-year-old sitting in a theater in New Jersey across the bay from New York, living during the time of Son of Sam, rising crime rates, black outs, and protests, this movie not only showed to power any film can convey, but also reminded him that there is hope and good in the world...and that everything will be all right.
“You’ll believe a man can fly.”
Indeed.
Saturday, August 26, 2023
ACC'S LATEST PODCAST - NO COUNTRY FOR OLD DUDES
His Dudeliness producer and I discuss one of our favorite modern films...and get a bit deep into the discussion.
https://www.youtube.com/watch?v=2NW3z770q1o&t=3s
Wednesday, August 9, 2023
A PIECE OF HISTORY
Wednesday, June 14, 2023
THE AMERICAN CULTURE CRITIC PODCAST IS LIVE!!!!!
The blog's corresponding podcast is now LIVE. Please give a listen to the first episode here:
https://www.youtube.com/watch?v=FZQexCll9rs&t=4658s








