There's a problem that is inherent with premises based on a gimmick. A gimmick can only go so far. Before 2010, it was practically impossible to conceive of a film that would star a plethora of big screen action heroes from the 80's and 90's; especially given the notorious egos of some (star Sylvester Stallone, Bruce Willis, and Arnold Schwarzenegger, for example). Then came the first Expendables, a film that surprised many just by being made in the first place. The second one found the aforementioned 80's action triumvirate engaged in more than just an extended cameo sequence, and added Jean-Claude Van Damme to the mix for what was to have been a career comeback. The gimmick of seeing all these stars together in one blockbuster blowout, with tongue-in-cheek references to actor-specific action tropes, mitigated the need for an engaging story, much less plot.
But gimmicks wear out fast, which begets a "been there, done that" ennui; which is something that star and primary screenwriter Sylvester Stallone knows better than most. Say what you will about the actor's skill as a thespian, watch his filmography and one would be hard pressed to deny he knows a thing or two about crafting a story. In The Expendables 3, the team is sent to take out yet another enemy to freedom. However, much to Barney Ross' (Stallone) surprise, it turns out to be Col. Stonebanks (Mel Gibson), a personal enemy of Ross; one who was thought long dead. When he takes out one of the core members of the team, Barney comes to the conclusion that the weight of age and obsolescence hangs over his team like a shroud and disbands The Expendables to forced retirement including himself, but not before he settles his score with Stonebanks. To that end, with the help of recruiter Bonaparte (Kelsey Grammer), Ross recruits a whole new team made of members under the age of thirty. However, things do not go as planned.
One of the more interesting aspects about this film series is it's metatextual commentary on the action film in general, but the ageist aspect of its performers in particular, which have often been played to humorous effect. The normal rule regarding trilogies is that the third film spins the central conceit of the two films that preceded it. Whereas The Expendables and The Expendables 2 were all about showing that the old guard still had what it took to get the action job done, The Expendables 3 postulates their awareness that perhaps their time has run its course, at least in Barney's mind. So the Expendables become "The Replaceables" with much younger, equally capable, and more tech savvy counterparts. Without giving too much away, it's a given that both generations overcome their animosity towards each other and band together to stop Stonebank's machinations. However, the path to the getting there is somewhat pat and disjointed. An action-packed first act leads in to a plodding recruitment second act that meanders and tries to find its footing. It's only when the teams finally blend is when the balls-to-the-walls action fest really begins, and this despite a number of plot holes big enough to shoot a missile through.
Characterization has never really been much of an issue for this series, since the entire premise has been comic book-ish in the most basic sense of the term. Yet despite director Patrick Hughes best efforts, this installment suffers from too many characters (some more thinly realized than others) with too little time for their development. All the original Expendables (Jason Statham, Terry Crews, Randy Couture, Arnold Schwarzenegger, Jet Li, Dolph Lundgren) return and are their usual, reliable selves. Among the newcomers, the stand outs are former Stallone antagonists Wesley Snipes as "Doctor Death", a maniac ex-member of the original Expendables team, and a manic, looney tunes cartoon come to life Antonio Banderas as a talkative, hyperactive "assassin" who doubles as an anti-aging infomercial guru. Harrison Ford, on the other hand, stiffly walks in and flies a chopper in a manner reminiscent of a scene he's done before but looks bored as hell doing it. On the youngsters side, MMA Ronda Rousey makes an impressive big screen debut, kicking ass as powerfully as her male counterparts.While Kellan Lutz of Twilight and The Legend of Hercules plays "Smilee" as the stereotypical heroic maverick with a heart of gold and ostensible Barney Ross protege. Mel Gibson relishes his role as the most formidable of The Expendables villains, playing Stonebanks as a mirror universe Martin Riggs. Like most other actors of this franchise, his character's backstory parallels the actor's persona, but used to menacing effect.
In the end, The Expendables 3 is less an actual action movie and more of a string of scenes of a bunch of fan-favorite guys (and girl) getting together to have fun doing what they do best: chew scenery, fire guns, beat the bad guys to submission, blow stuff up, and give pithy comebacks while doing it. All in all, it's a fun movie...really, what more could you want from an Expendables film?
In the end, The Expendables 3 is less an actual action movie and more of a string of scenes of a bunch of fan-favorite guys (and girl) getting together to have fun doing what they do best: chew scenery, fire guns, beat the bad guys to submission, blow stuff up, and give pithy comebacks while doing it. All in all, it's a fun movie...really, what more could you want from an Expendables film?
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