“A children's story that can only be enjoyed by children is not a good children's story in the slightest.” – C.S. Lewis.
Big Hero 6 is the first Disney-animated production based on a Marvel Comics property but there’s a reason why it’s called “Disney’s Big Hero 6”…The final product is barely recognizable from the source material, having been reimagined as a family film. The tale follows Hiro Hamada (Ryan Potter), a boy genius and robotics prodigy who uses his unique skills to hustle robot fights until an intervention by his brother Tadashi (Daniel Henney) gets him interested in becoming accepted into a prestigious robotics university run by science guru Robert Callaghan (James Cromwell). When his prototype nanotechnology is stolen by a menacing Kabuki-masked villain, young Hiro enlists the aid of his brother’s prototype medical soft robot Baymax and Tadashi’s colleagues Fred the geek (T.J. Miller); Go Go, the extreme sports enthusiast, (Jamie Chung); Wasabi, an OCD neat freak (Damon Wayans, Jr.); and chemicals specialist Honey Lemon (Genesis Rodriguez) to ferret out how and why.
At the center of all this is Baymax, a plastic Stay-Puft Marshmallow Man primed for toy exploitation, who is as cute and cuddly as a Madagascarian penguin. However, this ingratiating adorableness is achieved without being cloying manipulative, which is definitely attributable to the character’s minimalist rendering combined with guileless vocal performance by Scott Adsit.
To be truthful, co-directors Don Hall and Chris Williams know when to be big and when to bring the action down and have an impeccable sense of comic timing. They know when to let the story breath, and when to let it rip. The animation is so good it can almost be mistaken for a Pixar entry. San Fransokyo, setting of the film, is presented as a pseudo, animated Epcot whose design is emblematic of the film’s Asian and occidental pastiche, with the comparison to the theme park made even more apparent by Henry Jackman’s (possibly) “World Showcase” inspired score. The CGI, 3D renderings of location and character represent their hybrid influences without favoring one or the other. Given the amount of futuristic dirigibles that line the city’s skyline, a bit of Gotham City thrown in for good measure. It is so distinctive it is a character in and of itself much like Basin City and the aforementioned Gotham in their respective film franchises.
However, the city seems to have more character than the principals. The film is somewhat uneven in terms of plot and characterization. Granted, the story is well executed, exemplifying all the hallmarks of both the Disney story-telling template and the anime tropes thrown into the mix. However, unlike other similar films (Pixar’s Up and this film’s spiritual counterpart, The Incredibles, immediately come to mind), the balance between pathos and exhilaration is not well balanced. For example, when the requisite loss does take place, the impact is not as profound as would be found in previous Disney efforts (though no less poignant). To their credit, they present Hiro as a genius prodigy without making him overbearing. He’s rather likable; as are his teammates, though they are more personality traits than actual personalities, otherwise far too familiar to anyone who has seen any iteration of a Japanese super-team template. Though, when they have to “Teen Titans Go Go Go Power Rangers” mode, it’s entertaining to watch. In fact, they manage to present an antagonist as menacing as those in the upper echelons of Disney’s villainous Pantheon while, at the same time, provide poignant commentary about the darkening of characters (and super heroes) that need no such treatment.
Does it work as a story/film for both children and adults? Despite a couple of narrative and casting blips, the answer is an absolute “yes”. Big Hero 6 is a film that has a sense of fun and heart that breezes by so fast, you actually wish there were more to watch. Judging from the screening I attended, the primary audience the film is intended for gave it resounding, and loud, squeals of delight. It appeals to both the child and adult within us.
So yes, Baymax; I am satisfied with my care.