Tuesday, February 17, 2015

GUEST REVIEW - VIRTUALLY NO SHADE IS THROWN UPON "FIFTY SHADES OF GREY"

Periodically, American Culture Critic will host guest reviews. The first of these appears below, as special correspondent Jim Chiu has generously and graciously donated his time to pen the review of the polarizing film Fifty Shades of Grey, directed by Sam Taylor-Wood, which appears below. Many thanks, Jim.
 
"Fifty Shades of Grey was a surprise for me. It is difficult, when a film receives as much hype as Fifty Shades has, to go in without expectations. However, I was pleasantly taken aback by the cinematic work I ended up viewing.
 
Fifty Shades of Grey is a film whose underlying theme is contrast and dichotomy. Anastasia Steele (Dakota Johnson) and Christian Grey (Jaime Dornan) are two polar opposites who engage in a whirlwind romance. Unfortunately, this film plays out more as a tragedy than a romance film. But before we get to that, let me play homage to the people who really brought this film to life: the production crew.
 
Returning to the themes of contrast and dichotomy, the production crew, from cinematographers to wardrobe to set designers, all clearly worked with a unified vision in order to highlight them. Anastasia Steele’s apartment is exactly what one would see in a college apartment. It is chaotic and eclectic.  Christian Grey’s office and home are cold stone and devoid of warm colors. The only room in Christian’s home with any color in it is his “red room of pain.” Each set piece highlights an aspect of the characters’ life. Moving from set piece to set piece colors the interaction between the characters.
 
The inestimable Danny Elfman’s work is amazing in this film. His musical choices complement each scene and create an ambiance in which the actors play their roles. From the college rock on campus and in bars to the dark orchestral pieces that play in the “red room of pain,” Mr. Elfman’s touch cannot be mistaken.
 
The cinematography is masterful in this film, which especially heightens the use of contrast visually and thematically. Great care was taken to ensure the “red room of pain” scenes enjoyed the warmest lighting, creating contrast shadows and at the same time, it felt like the focus was brought to razor sharpness. These scenes were the show piece of the film and mean to communicate the fact that, in these moments, both characters felt more passion, more clarity, and more intensity than any other spent outside this room.
 
All this excellent work is wrapped around a story that is controversial to say the least. I feel it is outside the scope of this review to tackle the social topic of abusive relationships, so we will focus on the storytelling. Anastasia and Christian are not only a couple at odds with each other, but with themselves. Each character is found battling their own nature and their own perceived limitations throughout the film. Unfortunately, this can come off as a bit sophomoric in its delivery. Anastasia’s attempt to deny her attraction towards Christian is an excellent example of this. That said, there was an incredible amount of subtly to both actor’s performances as what was not said was just as important as what was said out loud.
 
Overall, while this film stumbles in places, Fifty Shades of Grey was an impressive and intense piece of filmmaking."

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